Ear Training 2 Berklee Pdf Top Jun 2026

Learning to sing these intervals cleanly without a reference pitch. Harmonic Dictation & Chord Progressions

You will stop using trial-and-error on your instrument to figure out songs. You will hear a bassline or a vocal melody and immediately know the scale degrees.

Ear Training 2 is the second course in Berklee’s four‑semester core ear training sequence. Its official course code is (a continuation of ET‑111), and it is required for all Bachelor of Music (B.M.) and Professional Diploma (P.D.) students. The course sharpens your ability to translate sound into notation and notation into sound—skills that directly support composition, arranging, improvisation, and live performance.

While Level 1 focuses on root-position triads, Level 2 introduces and chord inversions . You will train your ear to recognize the distinct colors of: Major 7th (▵7) Dominant 7th (7) Minor 7th (-7) Half-Diminished 7th (ø7) ear training 2 berklee pdf top

Voice leading patterns in the inner voices of a chord progression. Advanced Rhythm and Meter

Identifying chords and chord progressions by ear. Key Topics Covered in the Ear Training 2 PDF/Workbook

Berklee utilizes Movable Do Solfège. This means that "Do" is always the tonic of the key, allowing you to recognize intervals relative to the root rather than absolute pitches. Learning to sing these intervals cleanly without a

Do not just look at the notes. Use Movable-Do Solfège to sing every melody and chord progression. Use Metronome Constantly: Rhythmic accuracy is paramount.

Ear Training 2 heavily relies on moveable‑do solfège (do = tonic of the current key). You will sing and dictate melodies using syllables like do, re, mi, fa, so, la, ti , and their chromatic alterations. Practice internalizing these syllables by singing scales, arpeggios, and simple folk tunes every day. The workbook contains extensive solfège exercises in every chapter.

Formal enrollment at Berklee requires successful completion of Ear Training 1 (ET-111) or a qualifying placement score on the Ear Training ESPA exam. For those who place higher, ET-123 serves as an accelerated "Ear Training 2 for Entering Students," covering both ET-111 and ET-112 in a single semester. Ear Training 2 is the second course in

To get the most out of the , follow these best practices:

Pass 1: Rhythmic Contour (Write dashes or ticks above the staff) │ ▼ Pass 2: Anchor Pitches (Identify Tonic "Do" and Dominant "Sol" notes) │ ▼ Pass 3: Solfege Mapping (Fill in stepwise motions and clear leaps) │ ▼ Pass 4: Final Correction (Check accidentals, minor 3rds, and syncopations) Step 1: The Rhythmic Contour (Pass 1)

Learning the chromatic solfège syllables. For ascending chromatic notes, vowels change to "i" ( di, ri, fi, si, li ). For descending notes, vowels generally change to "e" or "a" ( te, le, se, me, ra ).

Looking at a sheet of music and knowing exactly what it sounds like before you play it is a superpower. Berklee’s solfege focus builds this exact skill.

i, iv, v, VI, III chords (natural, harmonic, and melodic minor). 3. Melodic Dictation and Sight-Singing