(voice trembling) Mia… yes. She’s my niece. She lives with my sister, Claire.
Several factors contribute to the feverish online demand for the :
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THOMAS: Did you lie for me? ELISE: I lived for you. That is the lie.
Just let me know which of these would be most useful to you. (voice trembling) Mia… yes
The script’s dialogue is sharp, rhythmic, and brutal. It is here that the audience learns Elise’s secret: she was a victim of a similar crime in her youth that was covered up by her mother. The uses this backstory to justify, but not excuse, her manipulation of the evidence.
| Act | Function | Example Beat | |------|-----------|----------------| | I | Establish Elise’s “good mother” world | Helping another child, PTA hero | | II | Inciting crisis | Child’s illness / threat that only an unethical act can fix | | III | Climax | Public or legal confrontation where she defends her choice | Several factors contribute to the feverish online demand
(beaming) I can help! I’ll bring cookies.
" The Good Mother " by Elise Sharron is a popular dramatic monologue used in speech and debate competitions, focusing on themes of maternal love, mental instability, and grief. It is a high-stakes, emotional piece often chosen for Dramatic Interpretation (DI) performances.
The climax is not a conventional showdown but a quiet, emotionally charged confrontation between Elise and her estranged sister, Lena. Here, the script’s structure collapses into a single, uninterrupted scene lasting nearly ten pages—an intentional choice that forces the audience to sit with the rawness of truth. The denouement, a lingering silence as Elise looks out a window, leaves the audience with an open question: can “good mothering” ever be wholly reclaimed?
If you are an actress preparing for a drama school audition, selecting a monologue from the is a bold move. Here is a pro-tip: