The high-end boost in this preset will amplify "Plosives" (the air blowing from "P" and "B" sounds). A cheap pop filter or recording at a slight angle will save your mix from clipping.
Kodak is famous for his ad-libs ("Glee!", "Woo", "Z6"). Create a separate audio track for your ad-libs. Use the same exact preset , but turn the Space Oud Reverb Mix up to 30% and the Dly-X Mix up to 25% . Pan this track slightly to the left or right to give your mix an ultra-wide, professional dimension. Final Mixing Tips for BandLab Producers
Follow this order in the BandLab Mix Editor by tapping the icon to create a custom preset:
Kodak’s vocals hit hard and loud.
The Kodak Black Preset on BandLab includes a range of features and instruments that are designed to replicate the sound of Kodak Black's music. Some of the key features include:
A crispy, sharp top-end to cut through heavy trap beats.
Saturation/Drive (Tape/Tube)
: His vocals sit right at the front of the track. They never sound buried beneath heavy instrumentals.
: Vocals are leveled out to stay "in your face" throughout the track, ensuring every word—even the slurred ones—carries weight.
The equalizer is where the magic happens. Use this to eliminate mud and inject that signature crispness. Kodak Black Preset Bandlab
: Tames the harsh "S," "T," and "CH" sounds amplified by your EQ boosts. 5. Studio Reverb Mix / Amount : 8% to 12% (Keep it very low) Size : 25% Tone : 50%
Available as one-click custom presets that bypass manual plugin tweaking. Moderate
Kodak’s delivery transitions quickly from quiet, melodic murmurs to loud, aggressive punchlines. A compressor evens out these volume spikes. The high-end boost in this preset will amplify
: His natural tone has a nasal, piercing quality. Strategic equalization (EQ) highlights this grit without making it sound harsh or thin.
12% (Keep it low; it should blend into the background as an atmospheric layer, not a distinct echo) 6. Space Oud (The Reverb)